Lately I have been especially busy with gallery business and freelance design work so it has been a few weeks since I have touched this piece. With every pass he becomes more and more my favorite with a lot of influence coming in from Nancy Ekholm Burket, an artist/illustrator who inked the images for “James and the Giant Peach” and “Snow White” amongst other notable projects. One of the most inspiring aspects of Burket’s work is the time it takes to complete her incredibly delicate renderings, sometimes almost a decade. I get so impatient to finish a series of work and often times my sensibility towards painstaking detail suffers. So much of what we are trained to do in life involves a tight deadline and switching the pace is difficult. I am resolved to finish my “ghost mouse” in small batches. I have such little time to dedicate to my art but it should be meditative and even more importantly contemplative.

Below are some beautiful examples of Burket’s work:

I particularly love the delicate textures and organic color sensibility in her work. It is so graphic and yet true to nature.

For my beautiful, sun-filled days off this week, I got to work making little thank you gifts for friendship and presents bestowed for my 31st birthday this past Saturday (the 21st). I hopped on my bike and rode to Portfolio Coffee and while there picked up a Dwell Magazine which is featuring The Now 99, a survey of what is current in design. Being an architecture nut, I was especially into the Focus on Facade sections and of course of course in love with ever single product and structure made predominantly of wood. Inspired, I decided to make little pop-up panels for my pyrography. The actual wood burning is on hold until I get my soldering iron fixed (it fell on the floor and broke).

I think I might make my own panels more often! At least the super small ones. Even the creation of these left our little work area in the front part of our apartment covered in wood shavings and dust. This has now further inspired me to get moving on our plan to live in a live/work space with room for wood working and music recording. I found some really cool spaces today that I am excited to look at but that is a post for another day. <3


I AM YOU
The Figure In Latin American Art
May 3 – June 30, 2012
Artist reception March 3 from 6 – 9 pm
Featuring artists: Moises Barrios, Lucio Kansuet, Jose Rodriguez and Rafael Varela

It is one of the most beautiful compensations of this life that no man can sincerely try to help another without helping himself. 

-
Ralph Waldo Emerson

(Laguna Beach) saltfineart presents I AM YOU, The Figure In Latin American Art, an exhibition that seeks to illuminate the power of the human figure through the work of Moises Barrios (Guatamala), Lucio Kansuet (Panama), Jose Rogriguez (El Salvador) and Rafael Varela (El Salvador). These artists, all considered master painters in their own right, use the human figure as a “tap root” of emotion in compositions that vary from the hyper-realistic to the surreal. The result is a feeling of deep connection to the work steaming from the collective experience of being human.

Image above: Jose Rodriguez, Untitled, 45 x 55 inches, charcoal pencil and acrylic paint

Moises Barrios creates large canvases that have the simplicity of photography, casual in subject matter; a closer inspection reveals the artist’s mastery of graphic deconstruction with the purposeful simplification of form. Named by Exit Madrid as One of 100 Most Influential Latin Contemporary Artists of our time, Moises Barrios has been exploring his insatiable talent since the early 60’s. With exhibitions in 25 different countries, including shows at both the MoCHA New York and the MOMA Mexico, Argentina, Brazil, Cuba, Colombia, Chile, Spain, France, Italy, England, and Taiwan, Barrios is recognized as one of the most distinguished and prolific talents of present day Guatemala.

Rafael Varela creates the illusion of skin and fabric in a way that rivals reality and yet avoids any allusion to traditional forms of painting with compositions that are starkly contemporary. He uses his superb rendering skills to create dramatic tension in the subject matter, often times a figure of a child looking forward into a future that is unknown and undefined by the artist. Recognized as one of the master realists of Latin America, Varela has celebrated solo exhibitions in Costa Rica, El Salvador and the United States. Additionally, he has participated in collective group shows in Central America, the Dominican Republic, the United States and Spain. His work forms part of several permanent collections such as the Museum of Latin American Art (Long Beach), the Vatican (Rome), the White House Collection in Washington D.C as well as private collections in Central America, the United States, Europe and Japan.

Where Varela begins to touch the surreal with his undefined environments, Lucio Kansuet casts off any reference to the material world in favor of the purely organic. His paintings convey the deep connection to nature inherent in the culture of his native Kuna Tribe of Panama. Children appear protected within cocoons or pods, seeds, fallen leaves, spawns or fruit, natural enclosures that represent man’s interdependence with the environment. In the last decade he has had several exhibitions throughout Panama, including a solo show at the National Institute of Culture as well as repeated collaborations with the Museum of Contemporary Art in Panama. He won third prize in the Robert Lewis National Art Awards (2009) and also a commission for a portrait of President Martín Torrijos (Palacio de las Garzas). saltfineart is the first gallery to show his work in the United States.

Jose Rodriguez makes a radical departure from reality by creating environments that appear as foreign as they are beautiful, employing his skill in drawing and painting and utilizing hyper-realism and the surreal. His figures often mesmerize viewers with a fixed gaze, imploring them to participate in a scene that defies all logic. The quietly intense power of Rodriguez’s surreal world has earned him a following recognized by critics and collectors alike, and during the past fifteen years he has won top awards in both national and international museum competitions. His work has been acquired by the Taipei Museum of Fine Arts in Taiwan, the Museum of Art and Design in Costa Rica, as well as by private collectors in Spain, New York, Miami, Canada, Mexico, Australia, Italy and Morocco.

saltfineart is located at: 1492 south coast highway / laguna beach, ca 92651 / 949.715.5554

saltfineart.com

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I am pleased to be a part of the new OC Art blog as writer and web design contributor. The relaunch celebration is taking place tonight at Memphis at the Santora bar and restaurant (one of my ultimate favorite spots in Orange County!).

Some limited edition prints of my work will be up on the walls along with original artwork from Sarah Walsh, Joy Shannon and Natasha Shah. The whole lot of writers and contributors will be there as well including Chris Hoff, the main man behind this project.

Come out and share your love the Orange County art scene with us!

I love the patterns of sparrows, the way they hop between cafe tables picking up crumbs, taking flight in a moment of instinctual panic and settle back down again. When they beg their little eyes get warm and pleading.

I always include two different kinds of sparrows in my work, the Old World sparrow and the American sparrow. The Old World variety have the masks over their eyes and the American have the skunk streaks running from the eyes to the back of the head.

This little drawing, 5 x 10 inches, is very much how I am feeling at the moment. I have had the great privileged of finding a core group of people who I love very much and my days are pretty much spent responsibly, peacefully and creatively in the company of friends.

Our Little Hearts of Intertwined.

I am showing some of my work at 4th Street Vine in Long Beach, CA through May 5th. Also showing are amazing artists Katharine A. Sikorski, Mariya Suzuki…

Following are images of the new work I have created recently, all 10 x 8 inches, pyrography, graphite and acrylic on wood panel and in the case of the last one, wood collage and spray paint. Installing the show this morning was super fun and creative and I am looking forward to writing more about that in a few days.

Tonight we are all hanging out in celebration with music from Will Morrison (my love!) and Joy Shannon (my dear dear friend!). Music is happening between 8 – 10 pm. This is an amazing place to spend some time and enjoy a drink so if not tonight then definitely visit sometime soon.

More information at 4thstreetvine.com

Above is a picture of my Great Aunt Thelma, older sister to my Great Grandmother Corinne, an artist, costume designer and all around Southern California society girl. When I was last at my Grandparent’s house in Framingham, MA. I found and took pictures of a photo album created by Thelma and Corinne in their early 20′s. The black rag paper pages crumble to the touch in places. The leather covers are barely able to hang on to the shoelace binding. It is not in a box or wrapped in archival tissue but sitting out in the upper guest room as if tossed through time.

Corinne was the only one I knew. Thelma died years before I was born. My parents, sister and I would make the trip from Orange to her small apartment, in what was then called Leisure World in Laguna Hills, CA. The apartment was always a little bit dark and packed from floor to ceiling with treasure from her time living in Hawaii and China. She taught me how to play checkers and always ALWAYS beat me. I loved it. I didn’t want to win. Even when the adults around us raised an eyebrow and suggested that she allow me to win every once in a while it was understood by the both of us how utterly ridiculous that would be.  There was too much love and respect there to play generational softball. I knew she was going to be gone soon and I wanted everything from her. Loosing was a small fee to hear stories about being born on an Indian reservation and sliding down bales of hay for fun, then growing up in the hills of Hollywood or traveling all over the world with her Admiral husband.

These pictures are from before she joined Navel life. In fact, most of the boys featured throughout the album are Army. Plenty of time was spent by the ocean or in lakes in Tahoe or Idlewild.

Great Grandma Corinne and friends…

Caption (written in Thelma’s handwriting) General Pershing decorating soldiers at Chatillon sur Seine

@stone_wolf you look a lot like greatgrandma

Corinne by the sea.

Unknown picture (probably Corinne but the way she is sitting) sacrificed to a locket.

The whole album is a record of a time when the world was in the state of falling down from the crest, right before the First World War and then the Second World War and then the Cold War.  There was so much to come for them, space travel…it’s mind-boggling.

Minerals for @stone_wolf from the Peabody@mouchette :)

I am back from a 4 month (or so) vacation from the internet during which I read, traveled, installed a few dozen shows and overall cleared my head and heart with creativity and work. Above are shots I took in Instagram of the Peabody Museum on the Harvard University campus.
My dad introduced me and my sister to the Peabody when we were little and it has in all the years I have visited never been anything less than a wonderland. I love everything from the glass cases of meticulously placed flora & fauna to the didactic signage.
See the entire set on my flickr page.
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