Above is a picture of my Great Aunt Thelma, older sister to my Great Grandmother Corinne, an artist, costume designer and all around Southern California society girl. When I was last at my Grandparent’s house in Framingham, MA. I found and took pictures of a photo album created by Thelma and Corinne in their early 20′s. The black rag paper pages crumble to the touch in places. The leather covers are barely able to hang on to the shoelace binding. It is not in a box or wrapped in archival tissue but sitting out in the upper guest room as if tossed through time.

Corinne was the only one I knew. Thelma died years before I was born. My parents, sister and I would make the trip from Orange to her small apartment, in what was then called Leisure World in Laguna Hills, CA. The apartment was always a little bit dark and packed from floor to ceiling with treasure from her time living in Hawaii and China. She taught me how to play checkers and always ALWAYS beat me. I loved it. I didn’t want to win. Even when the adults around us raised an eyebrow and suggested that she allow me to win every once in a while it was understood by the both of us how utterly ridiculous that would be.  There was too much love and respect there to play generational softball. I knew she was going to be gone soon and I wanted everything from her. Loosing was a small fee to hear stories about being born on an Indian reservation and sliding down bales of hay for fun, then growing up in the hills of Hollywood or traveling all over the world with her Admiral husband.

These pictures are from before she joined Navel life. In fact, most of the boys featured throughout the album are Army. Plenty of time was spent by the ocean or in lakes in Tahoe or Idlewild.

Great Grandma Corinne and friends…

Caption (written in Thelma’s handwriting) General Pershing decorating soldiers at Chatillon sur Seine

@stone_wolf you look a lot like greatgrandma

Corinne by the sea.

Unknown picture (probably Corinne but the way she is sitting) sacrificed to a locket.

The whole album is a record of a time when the world was in the state of falling down from the crest, right before the First World War and then the Second World War and then the Cold War.  There was so much to come for them, space travel…it’s mind-boggling.

Minerals for @stone_wolf from the Peabody@mouchette :)

I am back from a 4 month (or so) vacation from the internet during which I read, traveled, installed a few dozen shows and overall cleared my head and heart with creativity and work. Above are shots I took in Instagram of the Peabody Museum on the Harvard University campus.
My dad introduced me and my sister to the Peabody when we were little and it has in all the years I have visited never been anything less than a wonderland. I love everything from the glass cases of meticulously placed flora & fauna to the didactic signage.
See the entire set on my flickr page.

The past few weeks have been a crazy mix of tremendous work at the gallery, including the start of The Small Ad Shop, (a boutique advertising firm that will operate alongside saltfineart) AND an overwhelming desire to throw myself into new creative projects at home. 
Lately, I’ve been exploring my background in illustration and design, finding myself less inclined towards defining myself as a fine artist with HUGE panels. I am working small again. Above is the finished illustration for Joy Shannon’s latest album tentatively entitled “Out of My Dreams.” This piece was completed in about two days after spending weeks trying to wrap my head around an earlier design on a much bigger panel. I realized, in part through this project, that I tend to chase ideals that I do not bother to fully categorize or even plan towards. I just run, run as fast as I can towards what I want without any real thought as to WHAT and WHY and HOW.
How that translates into my art as a whole is unfortunately a lot of wasted panels with half-expressed ideas. I get bored and move on or get intimidated and flee or just get distracted by another idea/goal. At any rate it’s a very inefficient way of going about things and I’ve decided to make a concerted effort towards finishing anything I find worthwhile in starting. 
a.k.a Don’t Panic
General Officer, 10 x 8 inches, pyrography, graphite, acrylic and colored pencil on board
I am posting original work from my recent exhibition in Long Beach plus a few new pieces on my etsy page. I am the most excited about my recently completed Telepathy diptych. It took me the better part of the last two weeks to complete (all that herringbone fabric rendered for hours and hours…crazy). They are being sold as individual panels on purpose because I like the idea that even though they were created to be together there is a chance they could be separated.
Melodramatic much?

It’s hard not to be in awe of all our collective human experiences. I pour through countless antique photographs, at flea markets and online looking into the faces of individuals to find the few that I feel compelled to recreate. I always wonder who they were, if they had a happy life filled with love and excitement, or a tragic one. The faces always become manipulated by my feelings as I create the work and I believe that how I imagine their lives to have been comes through.

Officer’s Wife, 10 x 8 inches, pyrography, graphite, acrylic and colored pencil on board

Cecilia Paredes is renown for her performance, photography, sculpture and installation. Using her body as canvas, she paints herself into backgrounds of damask and chintz, forests and deserts. But she never completely blends —-never becomes mere decoration. Paredes is a part of the permanent collection of the San Antonio Museum of Art, the Panama Modern Museum, Museo del Barrio New York, and the Museum of Contemporary Art and Design Costa Rica among many other institutions. In 2010 she will have a a solo show at the Moscow Modern Museum of Art and a Fulbright sponsored show at the Cultural Institute in Lima.
For more information call 949.715.5554 or visit saltfineart.com
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